Friday, October 16, 2015

Are You Tech-Effective?

                Our orchestra program recently received a generous sponsorship from SmartMusic (makers of Finale music notation software). After about four hours of delving into the software, I was ready to load it on every iPad and computer I could find. However, I couldn’t quite harmonize how to best fit SmartMusic in with the units I had prepared, and I politely postponed the sponsorship until this summer when I have time to build the lesson around the tech, not the other way around. Fortunately, they will renew our complimentary educator subscription in June, and the students’ subscriptions go live in the fall! I’m excited to really build meaningful lessons around this constantly evolving and well-supported technology.
                The International Society for Technology in Education (ISTE) has a series of standards for education stakeholders. Several salient bullets surfaced when I read the standards specific to school administrators.  ISTE Standard 2 in general encompasses the responsibility administrators have to implement technology at their site. “Ensure instructional innovation focused on continuous improvement of digital-age learning” (2a), “Model and promote the frequent and effective use of technology for learning,” (2b) and “Ensure effective practice in the study of technology and its infusion across the curriculum” (2d) seem challenging as our schools continually serve a wider audience. From tech-resistant career teachers, tech-savvy millennial teachers, and of course, our digital native students, the most important strength an administrator can demonstrate is to model and steward what s/he views as most important in technology. Ironically, what continues to be most important is what always has been: we want all of our learners to leave with the ability and passion for finding a solution (notice…not a right answer). What becomes harder to teach is the know-how to sift through the world-wide-web of solutions that grow exponentially by the second.
                The significant points of ISTE Standards 3 and 4 address the implementation and financial considerations for an administrator. “Allocate time, resources, and access to ensure ongoing professional growth in technology fluency and integration” (3a) is perhaps the most valuable. A frequent concern of educators is that we do not receive adequate training on new technology, and it goes underutilized, or worse, dies out before it was given a fair chance. “Collaborate to establish metrics, collect and analyze data, interpret results, and share findings to improve staff performance and student learning” (4b) is often overlooked on the back end, and the technology, again, remains underutilized or misdirected in its use because we do not concretely evaluate and adjust for its effect on student and teacher learning.
Teachers and administrators have a great responsibility in how we wisely invest every ounce of time, energy, and money in our students. These basic questions give a starting place before adopting/investing in new technology:
  1. Is this technology truly innovative or a lateral-move version of technology or other methods that students already know how to use?
  2. Does the technology promote Bloom’s higher functions of learning (evaluating and creating vs. remembering and understanding)?
  3. Does the technology connect and loop back to prior knowledge.
  4. Does the technology have value outside of your classroom/curriculum/subject?
  5. Are students active or passive when engaged in this use of technology?
  6. If a guest educator walked into your classroom, would the technology use be something they share with other educators?


Monday, October 12, 2015

Tech for School Concerts

The Zoom Q8 HD Video Camera
              I recently saw use of Periscope, an app that allows the user to live stream video from their phone to a chosen recipient. It reignited my interest in live streaming orchestra concerts, and I thought a blog on this and other uses of technology specifically for school concerts might be of interest.
              The most basic thing we have done for several years is to scroll a PowerPoint presentation before the concerts. Since many of our patrons (parents) arrive early to drop off their student, we capitalize on their time in the auditorium to scroll meaningful quotes, music education-related statistics and advocacy ideas, jokes, and other student celebrations and recognitions. Click HERE for an example. This low tech, easy-advocacy tech is a must for this season of concerts.
              At our winter concert this December, we may roll out an opportunity for patrons to donate via text. A popular method of giving demonstrated so strongly by the Red Cross and other disaster relief agencies, “text-to-donate” options are plentiful. Several sites are available, each with nominal percentage or subscription costs and a seeming high ease of use. My only hesitancy thus far is that I don’t want to replace the larger thoughtful giving that happens in our community with impulse giving in the $5-10 range. Obviously more research needs to happen on this front, but since I have a projection scrolling, it is worth a try to garner more community support.
              Recording concerts has become much easier and affordable. For quick and easy recordings, usually for back-up to our primary recording, we use a Zoom H2. This handheld, battery-powered unit has stereo condenser mics with 90o or 120o configuration patterns and can record around two hours at highest quality on a 2GB SD card. The quality is great for our purposes, and with the use of recording software (Audacity is free; I use Sony SoundForge to edit recordings), we can make a near-professional mp3 files to share through Dropbox links on our website and other media. This is a great option to share student recordings without worrying about the mechanical licenses needed to produce and sell each song on a CD (Important note: it isn’t legal for a school to sell a CD of a concert recording without paying for the appropriate licenses…do the right thing!).

We use a Zoom Q8 HD video camera with built in stereo condenser mics (or the option to input your own higher end mics) and a 32GB SD card. This is enough memory to record over eight hours of high HD quality video with really clear audio. The Q8 will be the link to live streaming our concerts in the near future. Youtube has started a service, and there are numerous video tutorials on how to set up your Google+ (Youtube) account to process live streaming. Our performance venue has a strong wi-fi signal, but a hard-wire internet connection to the laptop is preferable.  We have media releases in place for our students, so now the only remaining challenge is to find a volunteer to hit record while I conduct!

Wednesday, October 7, 2015

Tonal Energy - Must Have Music Tech

The green smiley face of "in-tune-ness" in the Tonal Energy app
                Do you remember Dr. Beat for $140? The McAdame metronome for $500-plus? The Korg analog tuner with an actual moving needle to indicate pitch? What about this one…the Strobotuner. I will admit, these are still standard and highly useful, reliable tools for the music classroom. I still use them in certain settings. However, at the end of the day, it’s all bundled up in an app that will set you back $3.99 – Tonal Energy.
                The marketing department nailed it just in the name, Tonal Energy. Optimized for iOS and Android, this app includes a tuner, pitch producer, metronome, recording analysis, and piano keyboard. The tuner registers any pitch in any instrument range and can also be set to intermediate, advanced, or professional settings and adjusted for just or equal temperament, or another ten tunings I’ve never heard of! In addition to displaying cents sharp or flat, there are also strobing arcs that center toward a middle green smiley face when the note perfectly centers. Kids love the green smiley face of “in-tune-ness.” In addition to registering pitch, the tuner can also hear and play back the pitches it hears. Finally, the tuning wheel will sustain pitches, again across all registers, and with a wide selection of MIDI instrument sounds. This proves most useful not only in producing a pitch to match for tuning open strings, but also in producing drones for students to intone while playing scales or other diatonic patterns. I often demonstrate for the students with my violin against the drone, allowing them to hear the true consonant intervals versus the resistant pulsing of dissonant intervals.
                The metronome function has all of the basics, including tempo selection or tap-tempo selection that allows you to determine a tempo by tapping on the screen. I do wish that the tempo were more quickly adjustable (like the spinning wheel on my Dr. Beat or Seiko metronomes). Within the pulse selections are an array of subdivisions that can be turned on and off while students play, and the time signature choices are all covered. Simple 4/4 all the way to 7/4 in all of its configurations (2+3+2, etc.) are available (but if you are really needing a metronome to help you through that mess, maybe you aren’t ready for a mixed-meter tune!). I have yet to find the ability to change the sound of the beat (I would sure like the Dr. Beat-style that has a lady bark out “one-two-three-four” in a German staccato), but I suppose we can’t have it all.

                Finally, with mirroring to a projector, the piano can be a useful teaching tool. Allowing students to concretely see the relationships of half steps versus whole steps on a piano keyboard sure helps strengthen their music theory and aural skills. The piano keyboard is one of the greatest visuals in explaining enharmonic notes, why E# equals F, but C# doesn’t equal D. Most commonly, I use Tonal Energy through a Bluetooth audio connector on our classroom stereo. In Bluetooth mode, the only drawback is that students can’t use the tuning function and get the green smiley face…but there are enough other benefits to offset this small joy.